Social media continues to gain in popularity. It is said that the decision businesses face about whether to add social media to their multi channel marketing now is like the decision to get a web site was ten years ago. You may have heard in the news recently that
Facebook has overtaken Google as the most popular web site in the US. At the interactive marketing conference I attended last week,
Connect10ns, Twitter COO Dick Costolo impressed us all with this statistic - every day Twitter adds 380,000 new users! Some corporations now employ dedicated social media staff - McDonald's has 9 workers just to handle customer relations on Twitter.
During the conference we learned about a community-centered online apparel store called
Threadless. Members of the Threadless community submit t-shirt designs online which are then put to a public vote. Some of the designs are selected for printing and sold through an online store. Creators of the winning designs receive a prize of cash and store credit. Threadless was described as "being social before there was social media". I was reminded of another example of social media behavior from my own past before there were social network applications or even general access to the World Wide Web -
Mail Art.
Mail Art began in the DADA era of the early 20th century and had a resurgence in popularity in the 1960s and beyond. It's not easy to describe but I would place it in the the conceptual art category. Mail Artists exchange art with each other on a one-to-one basis through the postal system, and also create collaborative works of art by mailing in pieces to a central aggregator, passing around pieces to each other that are added to in turn, or sending pieces in to group shows. Participants in shows and projects would usually receive something in return for their participation, such as a catalog, a printed collage, a special rubber stamp, or a commemorative
"faux postage" or "artistamp" stamp sheet. For example some old Mail Art stamps of mine were featured in a
artistamp show in Budapest, Hungary a few years ago and I received an exhibition poster by mail.
One of the things that makes Mail Art conceptual is the fact that it's not supposed to be sold, it's supposed to be exchanged, and participants in shows and projects do not pay a fee to take part, nor do they have to be professional artists with art world credentials. Some participate with the idea of transforming the art world, but whether that goal is important or not one of the payoffs for participating is the community aspect - it is a way of making "pen pals" all over the world, of being a part of shows in places thousands of miles away and collaborating with artists you'll never meet in person. It's common for Mail Artists to alter works created by others and pass them on - this is very reminiscent of today's digital content creators who "remix" YouTube videos, graphics, fonts and other electronic assets. In the pre-Internet days communities would form around major and minor photocopied 'zines that could be ordered by mail or picked up in shops that sell small press and "underground" publications. Now we are familiar with communities forming around web sites, on Facebook, and even with conversations guided by
Twitter hash tags.
With the rise of the World Wide Web, my participation in Mail Art dropped off because my desire for community building, creative expression and collaboration with people in far-flung areas of the world has been satisfied in other ways, although other Mail Artists have embraced the web as a way to leverage their activities. Perhaps social media has had the spectacular successes that it has because social media applications cater to needs that are built deep into human nature. A recurring theme throughout the
Connect10ns conference was the natural desire of your customers to express themselves and tell their story - your marketing efforts will be more successful if you provide your audience with an outlet to satisfy that urge.